Season 8

Episode 7

I am the son and the heir
Of a shyness that is criminally vulgar
I'm the son and heir
Of nothing in particular

You shut your mouth, how can you say
I go about things the wrong way
I am human and I need to be loved
Just like everybody else does

I am the son and the heir
Of a shyness that is criminally vulgar
I'm the son and heir
Of nothing in particular

You shut your mouth, how can you say
I go about things the wrong way
I am human and I need to be loved
Just like everybody else does

There's a club, if you'd like to go
You could meet someone who really loves you
So you go, and you stand on your own and you leave on your own
And you go home, and you cry and you want to die

When you say it's gonna happen "now"
When exactly do you mean?
See, I've already waited too long
And all my hope is gone

Someday
Not one in particular

Scene 1

[The camera fades in from the opening credits to show Zandra and Elissa in one of the offices in the office building they temporarily occupy. As the camera pans around we see Zandra sitting in front of a propped up mirror brushing her hair as Elissa leans against the half open door, and as the music starts to play.]

(Zandra starts to sing quietly)

Zandra: In my life, in this restless life,
So many wasted dreams,
They all leave me tired now.

(Zandra looks towards Elissa)

Zandra: All of my friends,
All of my friends familiar faces I don't have now.
Seems so far away.
Do they remember me?

(Zandra gets up and moves towards the window.)

Zandra: Cause I'm still around this town.
Where are they now?

(A flashback of Eagle Mountain and the escape from the observatory plays)

Zandra: We swore we'd all come back for each other
Well, I still hear them now.
Ah, the rain daily washes down,
There's no one around.
I should have known they wouldn't come back now.
But I won't walk away.
While the rain is falling down.

(Zandra turns back to Elissa and wipes a stray tear from her eyes)

Zandra: Cause it's my life,
I can't turn back now.
All I got left is time,
I'll just live it out for now.
Wondering why why why,
Why I've been waiting here for a lifetime.
Well, I still hear them now.

(Flashback to Zandra waking up alone and wandering around Eagle Mountain on her own)

Zandra: Ah, the rain daily washes down,
There's no one around.
I should have known they wouldn't come back now.
But I won't walk away.
Ah, the rain daily washes down (down down).
No, I won't walk away.
I should have known they wouldn't come back down.

(Flashback to Zandra's wedding to Lex in series 1)

Zandra: The rain is falling down,
Down on the empty streets,
Oh, where we used to meet,
There's nobody down there now.
Where are my friends?
We swore we'd all come back for each other.
Well, I hear them now.

(Zandra shakes her head and takes a deep breath)

Zandra: Ah, the rain daily washes down,
There's no one around.
I should have known they wouldn't come back now.
But I won't walk away.

(Elissa steps forward and hugs her friend)

Zandra: Ah, the rain daily washes down (down down),
No, I won't walk away.
While the rain is falling down.
No, I'm not gonna walk away.
Ah, the rain daily washes down,
There's no one around.
I should have known they wouldn't come back now.
No, not gonna walk away.

[The camera pans out on Elissa and Zandra hugging before cutting to the next scene.]

Scene 2

[Camera pans around the Coasters camp to show Jonson standing at the edge of the camp, Harley appears from off screen and stands next to his best friend]

Harley: any news yet?
Jonson: If I had any news do you think I would still be here!
Harley: (shakes his head) Sorry mate!
Jonson: (smiles) we will find him don’t you worry!
Harley: You really miss him now don’t you!
Jonson: (Nods) He’s my little cousin of course I miss him…he’s the closest thing I had to a brother and yea I know we parted on bad terms but I need to make it up to him
Harley: We will find him…I’m going to help you find him!

(Harley places a hand on Jonson’s shoulder as he starts to sing)

Harley: Take a look at what I've got
I can't promise you a lot
But you and me and the road ahead

(The two boys walk further out of the camp)

Harley: I can't save
You from yourself
You got to want it
All that's left
Is you and me
And the road ahead

(Jonson looks over at his best friend and smiles)

Jonson: Wherever that wind might blow
Wherever that river rolls
You know I will go with you

Both: Looking over
The mountain's crown
The water roars
And tumbles down
Like you and me
And the road ahead

(Jonson rests his arm on Harley’s shoulder)

Jonson: Wherever that wind might blow
Wherever that river rolls
You know I will go with you

Both: Just you and me
And the road ahead

[Camera pans out as they turn back and head back towards camp before the camera cuts to black]

Scene 3

[Camera pans in from black to show Alice’s bar, in the distance we see Dreamer and Apollo walking towards the building, in one hand Apollo is carrying an empty picnic basket. Apollo is telling Dreamer a story about Phoenix and they both start to laugh. As they reach the pub, Dreamer turns to face him]

Dreamer: Thank you for a lovely picnic Apollo
Apollo: (Smiles) Your more then welcome

(Dreamer leans forward and presses her lips against Apollo’s and the two share a small kiss)

Dreamer: I’ll come by the airport later to see you
Apollo: I’ll look forward to it!

(Dreamer turns and enters the bar, leaving Apollo outside. Camera zooms in on Apollo as his smile widens. In the background the music starts up)

Apollo: It feels like I'm walkin' on air
When we walk down our street
When the neighbours stop to watch us walk by
You can hear 'em talking (let them talk)

(Apollo moves away from the pub and walks in the direction of the airport)

Apollo: Sometimes I think that you're the only reason
The sun still shines (when it shines)
And when this wicked world starts bringing me down
I tell myself that I'm one lucky guy

(Apollo breaks into a run as he sings louder)

Apollo: I got the girl (with all the cards)
I got the girl (she's a work of art)
I got the girl (who's gonna break my heart)

(Apollo finds himself out side a wedding shop and in the shop window he sees Dreamer wearing a wedding dress and him standing next to her in a suit)

Apollo: She says that someday she's gonna marry me
When that day comes that we walk down the aisle
She'll make me feel like a prince, a lord or a king
She likes to wear her stripe with her plaids
And she won't brush her hair (I swear)
She don't like wearing shoes in December
But I don't care (I don't care)

(He shakes his head to get the thoughts out before he starts to run again)

Apollo: I got the girl (with all the cards)
I got the girl (she's a work of art)
I got the girl (who's gonna break my heart)

(Apollo finds himself outside the airport and walks round the back)

Apollo: If I was a holy man I'd get down on my knees
So the angels that watch over her would give a break to me
Holy Mother of saint bubble gum and sister band-aid knees
Won't you please pray for the ones like me

(Apollo slips in through the back door)

Apollo:But the truth is someday
Somebody is gonna take her (you see)
But the queen of hearts will always be
A five-year-old princess to me (to me)

(Apollo crashes into his room and starts to dance around his bed)

Apollo: I got the girl (with all the cards)
I got the girl (she's a work of art)
I got the girl (who's gonna break my heart)
I got the girl (she's gonna leave her mark)
I got the girl (she's a work of art)
I got the girl (she's gonna break your heart)

(Apollo lets his body fall backwards onto the bed)

Apollo: I got the girl

[As Apollo smiles, the camera zooms in on his face before cutting to black]

Scene 4

[The camera cuts in from the previous scene and we are back with Elissa and Zandra in Zandra's room. Zandra is looking through the glass at the slaves working and her gaze fixes on Blaine as Elissa starts to sing.]

Elissa: She leads a lonely life
She leads a lonely life

(Elissa moves behind Zandra and sings)

Elissa: When she woke up late in the morning light
And the day had just begun
She opened up her eyes and thought
Oh what a morning
It's not a day for work
It's a day for catching tan
Just lying on the beach and having fun
She's going to get you

(The camera pans to Blaine as he works in the outer hallway.)

Elissa: All that she wants is another baby
She's gone tomorrow boy
All that she wants is another baby
All that she wants is another baby
She's gone tomorrow boy
All that she wants is another baby
All that she wants - all that she wants

(Flashback to one of Elissa and Blaine passionately kisses as the camera pans back around and we see that Zandra is still watching Blaine and Elissa has moved to the window away from Zandra.)

Elissa: So if you are in sight and the day is right
She's the hunter you're the fox
The gentle voice that talks to you won't talk forever
It is a night for passion
But the morning means goodbye
Beware of what is flashing in her eyes
She's going to get you

(Elissa starts to cry softly as she sings and looks back at Zandra)

Elissa: All that she wants is another baby
She's gone tomorrow boy
All that she wants is another baby
All that she wants is another baby
She's gone tomorrow boy
All that she wants is another baby

(Flashback to Elissa telling Blaine she can't deal with the secret of their relationship anymore.)

(Elissa wipes her eyes as Zandra turns back around to face her.)

Zandra: Do you think I'll make a good mother?

(Without hesitation Elissa nods)

Elissa: Yes.

[The camera pans to Elissa's pained look and fades to black.]

Scene 5

[The camera fades in and we see most of the Mallrats gathered in the cafe eating, Patsy and KC walk in, as the Mallrats stop and glance up at the couple expectantly.]

Patsy (proudly): Everyone... we'd like you to meet.
KC: Katy Cloe. Our daughter.

(The Mallrats cheer as Lex stands and applauds. KC, taking the baby takes a seat in the middle of the cafe as the Mallrats gather around and Patsy stands back, watching proudly when she starts to sing.)

Patsy: There's a gentle breeze blowing over me
and it's singing a sweet song
It's how I know your thinking of me
Tell me have you been waiting long

(Flashback to Patsy and KC's first night with Katy Cloe, when they spend the evening watching their daughter sleep, neither of them moving.)

Patsy: In the garden of you and I
Where there's a seed of love
That we can't deny
And everything will grow in time
In the garden of you and I
Well everyone keeps asking me
But I refuse to dig it up
I say let nature happen naturally
Let the rain be the fortune teller of
Things to be

(Flashback to Patsy and Cloe from Series 2)

Patsy: In the garden of you and I
Where there's a seed of love
That we can't deny
And everything will grow in time
In the garden of you and I

(Flashback to Patsy returning to the Mallrats after her capture by the Chosen, when KC didn't believe the baby was his)

Patsy: All the hoping and praying about it
Wishing and talking about it
Over analysing and forcing the issue
Tapping my finger and wondering who your with
Well it won't do any good

(Flashback to the moment that KC realised the baby was his and him and Patsy reconciled.)

Patsy: In the garden of you and I
Where there's a seed of love
That we can't deny
And everything will grow in time
In the garden of you and I
In the garden of you and I
Where there's a seed of love
That we can't deny
And everything will grow in time
In the garden of you and I

(As the music fades, KC motions for Patsy to join the rest of the Mallrats.)

Patsy: And everything will grow in time

[Patsy finishes singing and joins the Mallrats.]

Scene 6

[Camera cuts to the front entrance of the Airport to show Phoenix sat on a chair with his legs up on a table flicking through a magazine. Through the glass double doors a figure is making its way towards the airport. Camera cuts to show that she is one of the Amazon girls, she has long dirty blonde hair and her face is splattered with different shades of green face paint. As she moves closer to the airport, music starts to play. As she enters the airport, Phoenix jumps up to call for help but she rushes to him and places a finger on his lips]

Jodie: Meeting you, with a view to a kill
These two faces, secret places, feel the chill.
Night fall covers me, but you know the plans I'm making,
Still oversea, could it be the whole earth opening wide
A sacred wide, A mystery gaping inside
The weekends wide!

(Jodie pushes Phoenix back down into the chair, as she reaches into her pocket and pulls out a sealed envelop, she drops the letter on Phoenix lap)

Jodie: Until we dance into the fire
The fatal kiss is all we need
Dance into the fire,
Two fatal sounds of broken dreams
Dance into the fire,
That fatal kiss is all we need
Dance into the fire.....

(Jodie leans forward and presses her lips against Phoenix who quickly pulls away. She shakes her head as if disappointed)

Jodie: Just for you, is the view to a kill
A stray in the shade, assassination standing still.
Earth's crystal tears, falling snowflakes on your body
First time in years, to drench your skin in lovers' rosy stain
A chance to find your feelings for the flame,
A chance to die...

(The Amazon girl turns on her heals and leaves the airport. Phoenix pushes himself up and walks over to the doors and watches as she walks away)

Phoenix: Again we dance into the fire
That fatal kiss is all we need
Dance into the fire
Two fatal sounds of broken dreams
Dance into the fire
That fatal kiss is all we need
Dance into the fire
When all we see.. is the view to a kill

[Phoenix looks down at the envelop before he starts to open it. Camera zooms in on his confused face before cutting to the next scene]

Scene 7

[Camera cuts to Alice’s bar, to show Axel cleaning down one the bar, as he is cleaning the door is pushed open and he turns around to find Ryan walking in]

Axel: Ryan!
Ryan: Alright Axel?

(Ryan walks further into the bar)

Ryan: Can we talk…it’s about Alice
Axel: What about her?
Ryan: is she alright…I mean she seems different lately, I haven’t seen her at the airport for ages
Axel: Mm…(Axel cleans his throat) She’s fine Ryan, she’s just busy with the bar
Ryan: Right, is she in now?
Axel: (Shakes his head) No shes popped out with Darryl sorry mate
Ryan: Just let her know, I came to talk to her
Axel: (Nods) Will do!

(Ryan turns and leaves the bar, camera zooms in on Axel as he drops into the nearest chair and the music starts up)

Axel: I’m not the sort of person who falls in and quickly out of love
But to you, I gave my affection, right from the start.
I have a lover who loves me - how could I break such a heart?
Yet still you get my attention, right from the start.

(Camera cuts to show Alice looking out of the bedroom window, she watches as Ryan walks away from the bar)

Alice: Why do you come here, when you know I've got troubles enough?
Why do you call me, when you know I can't answer the phone?
Make me lie when I don't want to,
And make someone else some kind of an unknowing fool?
You make me stay when I should not?
Are you so strong or is all the weakness in me.
Why do you come here, and pretend to be just passing by?

(Camera cuts back to Axel)

Axel: I need to see you - I need to hold you - tighhhht-lyyy.

(Camera cuts to Ryan as he walks towards the airport, clearly troubled)

Ryan: Feeling guilty, worried, waking from tormented sleep
This old love has me bound,
But the new love cuts deep.
If I choose now, I'll lose out;
One of you has to fall...
And I need you, and you ...

(Screen splits in half as both Ryan and Alice sing)

Ryan/Alice: Why do you come here, when you know I've got troubles enough?
Why do you call me, when you know I cant answer the phone?
Make me lie I do not want to,
And make someone else some kind of an unknowing fool?
You make me stay when I should not
Are you so strong, resolve the weakness in me.

(Camera cuts to Alice as she turns away from the window, to find Axel standing in front of her)

Alice: Why do you come here, and pretend to be just passing by?

(Axel shrugs as he moves towards his friend and pulls her into a tight embrace)

Axel/Alice: I need to see you
And I need to hold you - tighhhht-lyyy

[Camera slowly pans out before screen fades to black]

Scene 8

[Camera fades in from black to show Amber, Bray and Phoenix standing in Bray and Amber’s room. Amber looks up at the other two as she finishes reading the letter from the Amazon tribe]

Amber: (shrugs) I’ve never heard of them
Phoenix: I think they mean business and they don’t look or sound like the nicest tribes around
Amber: (screws the letter up and throws it on the floor) I cant believe we have to go through this all again

(Bray goes to Ambers side and puts an arm around her)

Bray: It will be fine Amber we will go and meet this tribe, see what they want and think of some solution…we will fight for this city if we have too!
Amber: (sighs) That’s what I’m afraid off!

(The music starts up and Amber starts to sing)

Amber: When you were young
And your heart was an open book,
You used to say live and let live.
You know you did,
You know you did,
You know you did.

Bray: if this ever changing world in which we live in
Makes you give in and cry,
Say live and let die, (live and let die)
Live and let die. (live and let die)

Phoenix:Ho!
Yeah!
Ho!

(The three storm out of the room to round up the other Mallrats)

Bray: what does it matter to ya?
When you got a job to do you gotta do it well.
You got to give the other fella hell!

Phoenix: ho!
Yeah!

Amber: You used to say live and let live.
You know you did,
You know you did,
You know you did.

Bray:If this ever changing world in which we live in
Makes you give in and cry, ooh,
Say live and let die, (live and let die)
Yeah, live and let die. (live and let die)

[Camera pans out before fading to black]

Scene 9

[The camera fades in and we see Ryan once again at Cass's door as he knocks softly. The camera pans around from the inside of the room to show Cass sitting reading on her bed.]

Cass: What do you want?
Ryan: We need to talk. Is Jake here?
Cass (shakes her head): No. He's playing with Rain. What is it this time?
Ryan: Jake is my son. I want to sort out proper access to him. You have to give me that.
Cass (sighs): Fine. Say what you want to say.

(Ryan walks into the room and leans against the door as he looks around and then starts to sing gently to the music.)

Ryan: Stayed in bed all morning just to pass the time
There's something wrong here, there can be no denying
One of us is changing or maybe we've just stopped trying.

(Ryan picks up a picture of Jake and Kacie sitting on the dressing table.)

Ryan: And it's too late, baby, now it's too late
Though we really did try to make it (Really did try to make it)
Something inside has died and I can't hide it,
I just can't fake it. No, no, no, no.

(Ryan puts the picture down and turns back to Cass)

Ryan: It used to be so easy living here with you
You were light and breezy and I knew just what to do
Now you look so unhappy, and I feel like a fool.
And it's too late baby now it's too late
Though we really did try to make it (Really did try to make it)
Something inside has died and I can't hide
I just can't fake it. No, no, no!

(Ryan walks around the room before he picks up a chair and places it opposite Cass and takes a seat, putting his head in his hands.)

Ryan: There'll be good times again for me and you
But we just can't stay together
Don't you feel it too?
Still I'm glad for what we had and how I once loved you

(Ryan nods as though he realises that his divorce from Cass is the best thing for their son.)

Ryan: And it's too late baby, now it's too late
Though we really did try to make it (Really did try to make it)
Something inside has died and I can't hide,
I just can't fake it. No, no, baby.

(Ryan looks up at Cass and looks straight into her eyes.)

Ryan: It's too late. Now darlin'
It's too late, baby.
It’s too late.

(Ryan sighs and takes a deep breath as he looks up at Cass.)

Ryan: I just want to see my son regularly Cass, that's all. And I wanted to come and say that I'll give you a divorce. I know what I did was wrong and I know it's too late.

[The camera cuts to black as it pans to Cass's face and she nods softly.]

Scene 10

[The camera fades in from the previous scene to the new temporary Amazon base. Blaine and the other slaves are busy moving furniture and office equipment out of the new main office, when Blaine stops to get some water and joins one of the other slaves for a quick break when he pulls out a photo of Elissa and starts to sing.]

Blaine: One way or another I'm gonna find ya
I'm gonna getcha getcha getcha getcha
One way or another I'm gonna win ya
I'm gonna getcha getcha getcha getcha
One way or another I'm gonna see ya
I'm gonna meetcha meetcha meetcha meetcha
One day, maybe next week
I'm gonna meetcha, I'm gonna meetcha, I'll meetcha
I will drive past your house
And if the lights are all down
I'll see who's around

(Blaine shows the picture to the other slave who shakes his head in disbelief)

Blaine: One way or another I'm gonna find ya
I'm gonna getcha getcha getcha getcha
One way or another I'm gonna win ya
I'll getcha, I'll getcha
One way or another I'm gonna see ya
I'm gonna meetcha meetcha meetcha meetcha
One day, maybe next week
I'm gonna meetcha, I'll meetcha

(Blaine shakes his head and downs the cup of water)

Blaine: And if the lights are all out
I'll follow your bus downtown
See who's hanging out

Slave: You need to be careful!

(Blaine shakes his head in disbelief and laughs)

Blaine: One way or another I'm gonna lose a
I'm gonna give you the slip, a slip of the lip or another
I'm gonna lose ya, I'm gonna trick ya, I'll trick ya
One way or another I'm gonna lose ya
I'm gonna trick ya trick ya trick ya trick ya
One way or another I'm gonna lose ya
I'm gonna give you the slip

(Blaine catches Zandra watching him, and she winks. Blaine sees the other slave shudder and he shakes his head.)

Blaine: I'll walk down the mall
Stand over by the wall
Where I can see it all
Find out who ya call
Lead you to the supermarket checkout
Some specials and rat food, get lost in the crowd

(The other slave walks away leaving Blaine alone as he looks down at the picture of Elissa and then smiles when he sees her across the office.)

Blaine: One way or another I'm gonna getcha, I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, find out who ya call)
One way or another I'm gonna getcha, I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, find out who ya call)
One way or another I'm gonna getcha, I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, find out who ya call)
One way or another I'm gonna getcha, I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, find out who ya call)
One way or another I'm gonna getcha, I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, find out who ya call)
One way or another I'm gonna getcha, I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, find out who ya call)

[Blaine sighs and heads off back to work as the camera cuts to black.]

Scene 11

[Camera fades in from black to show Gel walking into Lex’s room carrying a bottle of milk she tests it on her hand before she passes it to Theo who is sat up in his cot. Gel smiles at him but it starts to fade as she spots a picture of Tai-San. Music starts up]

Gel: I know you've heard these words a hundred other times before.
And you've been hurting so your heart has chose to close the door.
Love broke your heart and brought you lies.
Look in my eyes, you'll see a love that's deep and true.
Tender and strong and all for you.
You can trust this love
Honest, that's the honest truth

(Gel reaches in and picks Theo up, letting him rest his head on her shoulder as she slowly rocks back and forth)

Gel: From the heart I'm giving you everything, everything.
From the heart. I promise you that I'll be there.
I'll be there to love you.
From the soul I'm showing you all I feel, all I feel is,
From the heart, from the heart.

(Camera pans around to show Phoenix standing in the door way with a smile on his face. Phoenix starts to sing as he watch’s Gel sit on the floor and starts to build a tower with Theo, who then knocks it down causing them both to laugh)

Phoenix: I will protect you and respect you and be all you need.
And when you reach for love you only need to reach for me.
These arms will never let you down.
They're staying around.
I'll walk with you through every storm.
I'll keep you safe I'll keep you warm.
And you'll have no doubt.. You're the one I'm living for.

(Phoenix walks into the room and takes a seat on the floor behind Gel and wraps his arms around her waist)

Gel/Phoenix: I'll provide the love you need.
Just trust my touch, believe in me.
I'll never make you cry.
Give it all I got, with all I've got inside.

(As the music dies down, Phoenix places a small kiss on her neck)

Phoenix: Your really good with him!
Gel: (shakes her head) He’s a good kid, got nothing to do with me!

(Theo looks up and smiles at Gel, who returns the smile but quickly jumps up)

Gel: You might as well look after him, now you’re here, I could do with a break!

[Phoenix watches as Gel quickly leaves but is drawn back to Theo as a wooden brick collides with the side of his head. Camera cuts to the next scene]

Scene 12

[Camera cuts to the canteen to show Tally sat by herself staring off into the distance, Ebony appears from the kitchen with Flame in her arms, she doesn’t even notice Tally as she passes her until Tally speaks]

Tally: Ebony?

(Ebony turns to face her and looks her up and down with disgust)

Ebony: Yes?
Tally: You don’t like me do you?
Ebony: After everything you did…no not really!
Tally: And I bet you wouldn’t care if I left either would you
Ebony: Tell you the truth no one would miss you Tally!

(Ebony turns and starts to walk away with a smile on her face)

Tally: (shouts) Your lying!

(Ebony slowly starts to turn around as music starts up)

Ebony:Would I lie to you?
Would I lie to you honey?
Now would I say something that wasn't true?
I'm asking you sugar
Would I lie to you?

(Tally jumps up to defend herself)

Tally: My friends - know what's in store.
I won't be here anymore.
I've packed my bags
I've cleaned the floor.
Watch me walkin'.
Walkin' out the door.

(Ebony laughs as she moves closer to Tally)

Ebony: Tell you straight - no intervention.
To your face - no deception.
You're the biggest fake.
That much is true.
Had all I can take.
Now I'm leaving you

[Tally slaps Ebony before covering her face and running away crying. Camera zooms in on Ebony as a smirk slips over her lips. Camera cuts to the next scene]

Scene 13

[Camera cuts to show Alice placing bottle drinks into the fridge as the door is pushed open and KC runs in and jumps up onto the side of the bar. Alice turns around to snap at him but when she sees his smile she can’t help but smile]

Alice: She’s had the baby?
KC: A little girl…Alice she is perfect

(Alice pulls her friend into a tight embrace)

Alice: It’s time for a celebration!

(As the music starts up, Alice places two shot glasses onto the counter and pours them both a shot of vodka)

KC: Oh, what a feeling!
When we're dancing on the ceiling
Oh, what a feeling!
When we're dancing on the ceiling

(KC stands up onto the bar as he does the shot and holds out his hand for Alice and pulls the other girl up next to him)

KC: The room is hot...that's good
some of my friends came
By from the neighbourhood
People were starting
To climb the walls
Ooh, it looks like everybody
Is having a ball

(The two of them are dancing on the bar, and Alice can’t stop laughing)

KC: Oh, what a feeling!
When we're dancing on the ceiling
Oh, what a feeling!
When we're dancing on the ceiling
Oh, oh, what a feeling!
When we're dancing on the ceiling
Oh, what a feeling!
When we're dancing on the ceiling

(Alice suddenly stops and climbs down from the bar causing KC to raise an eyebrow, before he jumps down next to her)

KC: Alice?

(Alice turns back round with a smile plastered on her face)

Alice: I’m so proud of you KC...When we were taken away as prisoners all those years ago, I watched you grow up, you became my best friend in a broken world, your like a younger brother to me KC!

[The two embrace again and as the camera pans around we see tears rolling down Alice’s face. Camera fades out to black]

Scene 14

[Camera fades back in from black to show Apollo lying on his bed staring at the ceiling, Gel appears in the door way and can’t help but smile]

Gel: You poor, poor boy!

(Apollo looks over at her and slowly sits up)

Apollo: What are you chatting about?
Gel: Have you looked at your self in the mirror lately…you’ve gone soft Apollo!
Apollo: What are you getting at Gel!
Gel: (laughs) Dreamer has you wrapped around her little finger and she doesn’t even realise it!
Apollo: Get lost!
Gel: No need to get touchy…lover boy!

(Gel laughs as she walks away from the room wiping tears away from her eyes. Camera cuts back to Apollo who is now sat at the edge of the bed)

Apollo: Tell her I'll be waiting
In the usual place
With the tired and weary
There's no escape
To need a woman

You've got to know
How the strong get weak
And the rich get poor
Slave to love

(Apollo stands up and walks out of his room, as he walks around the airport he observes other members of the tribe loved up. Gel has found Phoenix and the two of them are holding hands as they walk back towards their room, Apollo turns around to find Enola and May sat at the breakfast bar sharing a hot chocolate.)

Apollo: You're running with me
Don't touch the ground
We're the restless hearted
Not the chained and bound
The sky is burning
A sea of flame
Though your world is changing
I will be the same

(Bray and Amber are cuddle up on one of the sofas in the the Lounge, while Rain and Bray Jnr. are playing on the floor)

Apollo: Slave to love
And I can't escape
I'm a slave to love
Can you help me?

(Apollo finds himself back outside the airport and leans against the wall)

Apollo: The storm is breaking
Or so it seems
We're too young to reason
Too grown up to dream
And the spring is turning
Your face to mine
I can hear your laughter
I can see your smile

(Apollo lets his body slowly drop to the floor and he brings his knee’s up to his chest)

Apollo Slave to love (repeat)
And I can't escape
I'm a slave to love Apollo: (Spoken) I need to get a grip!

[Camera pans out before cutting to the next scene]

Scene 15

[The camera pans around the Coasters camp, coming to rest on Lorianne who is busy washing her clothes b by the camp fire, when Tully appears from the beach, carrying yet more fish and he puts them down in front of Lori.]

Lori:Great. More fish.
Tully: Sick of them yet?
Lori: Getting there.
Tully: You'll learn to love it.

(Lori laughs and then turns to Tully.)

Lori: Can I ask you a question?
Tully (shrugs): Sure.
Lori: What's Jonson's story? I can't work him out.
Tully (sighs): Don't bother. He's a complex man, no one can work him out. All I would say is don't cross him.

(Lori frowns as Tully turns to walk away and she resumes her washing when the music starts to play.)

Tully: Life's been so good to me
Has it been good to you
Has it been everything
That you expected it to be
Was it as good for you
As it was good for me
And was it everything
That it was all set up to be
(now is that gratitude)

(Lori looks alarmed as Tully turns back and makes his way towards her.)

Tully: Now is that gratitude
Or is it really love
Some kind of reality
That fits just like a glove
Now is that gratitude
For everything I've done
Or is it something else
That's got me on the run

(Tully moves closer and raises an eyebrow as Lori looks away and Tully then moves away.)

Tully: In the middle of a big tornado
On the tip of everyone's tongue
In the belly of a giant whale
All the girls just wanna have fun
In the look of a frightened neighbour
In a big warm bed at night
In a broken elevator
In the teeth of a dog that bites
In the middle of a revolution
In the look of a child's face
In the silence of the dinner table
In the stillness of disgrace

(Lori gets up and steps away from Tully as his face darkens and he looks over to her.)

Tully: Now is that gratitude
I used to eat little girls I knew
For breakfast
Now is that gratitude
I used to fly high up in the sky
Now is that gratitude
I used to chew up rocks and
Spit out gravel
Now is that gratitude
I had a heart as cold as ice

(Lori goes to open her mouth but Tully shakes his head as his gaze softens and he steps back.)

Tully: But when I think of you
And what you've done to me
You took away my hope
You took away my fantasy
I once had lots of pride
The world was in my hands
I lived way at the top
Of castles made of sand
Ooh . . .
I dream of you sometimes
Ooh . . .
I dream of you sometimes

(Tully laughs and shakes his head in an attempt to reassure Lori)

Tully: See. This is what Jonson is like Lori. I'm not trying to scare you.

(Lori looks unconvinced)

Tully: Now is that gratitude
Now is that gratitude
Now is that gratitude
Now is that gratitude

(Tully sighs)

Tully: Jonson is bad news. Trust me.

(Lori nods and sits back down at her washing. Jonson comes into the camp as he nods at Tully.)

Tully: In the middle of a big tornado
On the tip of everyone's tongue
In the belly of a giant whale
Ooh . . .
I dream of you sometimes
All the girls just wanna have fun
In the look of a frightened neighbour
In a big warm bed at night
Ooh . . .
I dream of you sometimes
In a broken elevator
In the teeth of a dog that bites
Now is that gratitude
Now is that gratitude
Now is that gratitude
Now is that gratitude
Now is that gratitude
Now is that gratitude
Now is that gratitude

[Tully walks off as Lori looks around, scared and alone as the camera cuts to the next scene.]

Scene 16

[The camera cuts in from the previous scene, as Trudy and Patsy sit in Patsy's room, Patsy is sitting with a breast pump in front of her, as baby Katy is asleep in her crib.]

Patsy: I don't know Trudy... this looks awfully difficult, and I'm not sure I want to breastfeed.
Trudy (laughs): It's natural isn't it?
Patsy: Um... yeah, if you say so!
Trudy: I had to learn by reading books, so I'm sure that I can help you.
Patsy (nods): You promise?

(Trudy nods as she stands up and moves over to Katy's crib, smiling down at the baby as she starts to sing.)

Trudy: Some people stand in the darkness
Afraid to step into the light

(Patsy stands up and moves behind Trudy)

Patsy: Some people need to have somebody On the edge of surrenders inside

(Patsy picks up Katy and turns back to Trudy)

Trudy: Don't you worry,
it's gonna be alright
'cause I'm always ready
I won't let you outta my sight

(Patsy nods and hands Katy to Trudy as she picks up the breast pump)

Patsy: (I'll be ready) I'll be ready
(Whenever you fear) oh don't you fear
(I'll be ready)

Trudy: Forever and always, I'm always here
In us we all have the power
But sometimes it's so hard to see
And it's still stronger than reason
It's just human nature to me

(Trudy smiles down at Katy)

Trudy: Don't you worry,
it's gonna be alright
'cause I'm always ready
I won't let you outta my sight

(The camera pans to the doorway as we see KC standing in the doorway. He looks on adoringly at his family.)

Patsy: (I'll be ready) I'll be ready
(Whenever you fear) oh don't you fear
(I'll be ready)

(Patsy picks up Katy from Trudy)

Patsy: Forever and always, I'm always here
'cause I'm always ready
I won't let you outta my sight

(The camera pans around as we see that Patsy is breast feeding her daughter, a happy smile on her face as Trudy looks on.)

Patsy: (I'll be ready) I'll be ready
(Whenever you fear) oh don't you fear
(I'll be ready)

Patsy / Trudy: Forever and always, I'm always here

Trudy: Forever and always, I'm always here

(As the two girls finishing singing, a banging is heard in the doorway as KC looks a bit ill and Patsy raises an eyebrow.)

Patsy: What?
KC: Um, nothing... I... I have to go!

(Patsy and Trudy laugh.)

Trudy: Men!

[The camera pans to Patsy's happy face before fading to black.]

Scene 17

[The scenes fades in and we are back at the Amazon camp, this time we are outside the office building and we follow Elissa as she walks out of the back of the building to a darkened wooded area and we then switch to Blaine is standing in the woods as Elissa approaches him and he starts to sing.]

Blaine: You walk on by
Clueless and so high
Following your aimless
Path away from us
You’re so far away
And what can I say
Cause I can’t be the one
You wanted me to be

(Blaine reaches out and grabs hold of Elissa as he pulls her into his arms and looks down at her.)

Blaine: So tell me
How do you feel
It’s so confusing
If you let it all go
It’ll fall apart
Do you want me to stay
And say I still want you
U want me 2, don’t you?

(Blaine kisses Elissa passionately as tears fall down her cheeks and she joins in the song.)

Elissa: So what are we saying
Our eden’s a failure
A made-up story to fit
The picture-perfect world
The one with I do
And I love you
And we are made
For each other
Is forever over now?

(Blaine shakes his head and looks down at Elissa as he brushes her hair gently.)

Blaine: I will tell her if you want me to. I would do anything for you. I would die for you.
And tell me
How do you feel
It’s so confusing
If you let it all go
It’ll fall apart
Do you want me to stay
And say I still want you
U want me 2, don’t you?

(Elissa shakes her head.)

Elissa: You can't. We'd never be together if you did that.
I hope there’s forgiveness
In the distance between us
Can we make what lies
Ahead of us
A better place to be?

(The two hug as Elissa rests her head against Blaine's chest and he sings softly in her ear.)

Blaine: So tell me
How do you feel
It’s so confusing
If you let it all go
It’ll fall
Do you want me to stay
And say
I still want you
You want me too
Don’t you?.

(Elissa cries harder as Blaine comforts her and holds her tightly against his frame.)

Elissa: Why is it so hard Blaine?
Blaine: I don't know.

[The two lovers are still embracing as the camera pans out and fades to black.]

Scene 18

[Lex walks outside of the airport with Theo in his arms when he spots Ebony having a picnic outside with Flame. Heading over to Ebony and Flame he starts to sing as he approaches them.]

Lex: We have
The chance to turn pages over
We can write what we want to write
We gotta make ends meet before we get much older
We're all someone's daughter
We're all someone's son
How long can we look at each other
Down the barrel of a gun?

(Ebony looks at Lex for the longest time and then laughs when Theo burps and motions for Lex and Theo to join them.)

Lex: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

(Ebony raises an eyebrow before she nods and Lex sits down opposite her. Letting go of Theo as he crawls towards Flame.)

Ebony: This time
We know we all can stand together
We have the power to be powerful
Believing we can make it better
We're all someone's daughter
We're all someone's son
How long can we look at each other
Down the barrel of a gun?

(The camera pans to the two babies as they look at each other and don't move for a few minutes)

Lex and Ebony: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

(Theo picks up his toy dinosaur and proceeds to start hitting Flame with it. Lex reaches down and picks up his son, and looks at Ebony apologetically.)

Lex: We're all someone's daughter
We're all someone's son
How long can we look at each other
Down the barrel of a gun?

Ebony: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

Lex: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

(Lex places Theo back down on the blanket as Flame throws a rubber ball at his head. Lex frowns and Ebony shrugs.)

Lex: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

Ebony: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

(Both Flame and Theo thrown toys at each other, before each child bursts into tears and Lex and Ebony picks up their sons, consoling them.)

Lex and Ebony: You're the voice try and understand it
Make a noise and make it clear
Whoa oh oh
Whoa oh oh
We're not gonna sit in silence
We're not gonna live with fear
Whoa oh oh
Whoa oh oh

[Lex looks at Ebony apologetically as he walks away with Theo and Ebony is left with a crying Flame as the camera cuts to the next scene.]

Scene 19

[Camera cuts to Alice’s bar, to show Alice, Axel and Darryl all sat around a table in the bar]

Axel: (smiles) we’ve decided we will happily run the bar for you…while your gone?
Alice: (Smiles) Thank you boys, I don’t know what I would of done if you said no!
Darryl: Alice you don’t have to go…
Alice: I do for awhile…you will understand in time, it will be the best for everyone!

(Alice starts to cry causing Axel to get up from his seat and kneel in front of Alice taking her hands into her own)

Axel: Hearts are worn
In these dark ages
You're not alone,
In these stories' pages
The light has fallen
Amongst the living and the dying
And I'll try to hold it in
Yeah I'll try to hold it in

Alice: The world is on fire
It's more than I can handle
I'll tap into the water
Try and bring my share
Try to bring more, more than I can handle
Bring it to the table
Bring what I am able ...

(Darryl also stands up and moves behind Alice wrapping his arms around her)

Darryl: I watch the heavens
But I find no calling
Something I can do to change what's coming
Stay close to me
While the sky is falling
I don't wanna be left alone,
Don't want to be alone...

Alice: The world is on fire
It's more than I can handle
I'll tap into the water
Try and bring my share
Try to bring more, more than I can handle
Bring it to the table
Bring what I am able ...

All three: Hearts break ... hearts mend ... love still hurts
visions clash ... planes crash
Still there's talk of saving souls
Still the cold is closing in on us

Axel: Alice you don’t have to do this alone…we are here for you
Alice: I know and I can’t thank you enough!

[Camera slowly pans out before the screen fades to black]

Scene 20

[The camera fades in from black as we see Amber and Rain in Rain's room. Amber is painting Rain's finger nails pink as Rain smiles.]

Rain: Mummy.
Amber: Yes sweetheart.
Rain: Will my other mummy come home?

(Amber looks a bit taken back by the question and shakes her head.)

Amber: I'm sorry darling I don't know.
Rain (sadly): Okay.
Amber: But I'll always be here. Okay?
Rain (nods): Okay. I love you mummy.
Amber: And I love you too!

(Amber hugs Rain tightly as she starts to sing softly.)

Amber: When you can't take any more
When you feel your life is over
Put down your tablets and
Pick up your pen and
I'll put you together again.

(Flashback to when Bray told Amber that Rain was his daughter)

Amber: Of your faith withers away
If God can't bring you your answer
Write me a letter I'll read it and then
I'll put you together again.

(Flashback to when Rain first called Amber mummy.)

Amber: Put us together
Together again
Put us together again
When things look hopeless
Just write me and then
I'll put you together again.

(Amber picks up Rain and walks out of Rain's room and down the main airport corridor with Rain's legs and arms wrapped around her.)

Amber: If there's no light anywhere
And you've got no one to turn to
I'll lead you out of the darkness and then
I'll put you together again.

(Amber walks into the meeting room where Bray is, as he turns and looks up at Amber and Rain, and Amber continues to sing.)

Amber: Put us together
Together again
Put us together again
Drop me a few lines
Telling me when and I'll
Put you together again.

(Bray gets up and walks over to Amber and Rain, bringing both of them into an embrace.)

Amber: When things look hopeless
just write me my friend and
I'll put you together again.

[The camera pans to Amber's sadden face before cutting to the next scene.]

Scene 21

[The camera cuts from the previous scene to Patsy's room. She is standing in front of a full length mirror, holding a top up to her figure. As the camera pans around the room, we see that the contents of Patsy's wardrobe are scattered on the floor and Gel is sitting in the middle of Patsy's bed as Patsy starts to sing.]

Patsy: I don't look good in no Armani Suits
No Gucci shoes - or designer boots
I've tried the latest lines from A to Z
But there's just one thing that looks good on me

(Patsy turns to face Gel, as Gel wrinkles her nose in disgust and Patsy turns back towards the mirror)

Patsy: The only thing I want
The only thing I need
The only thing I choose
The only thing that looks good on me... (KC appears in the doorway) is you

(Gel laughs at KC's appearance as Patsy turns around smiling.)

Patsy: I'm not satisfied with Versace style
Put those patent leather pants - in the circular file
Sometimes I think - I might be lookin' good
But there's only one thing that fits me like it should

(Patsy turns back towards KC and starts to dance towards him)

Patsy: The only thing I want
The only thing I need
The only thing I choose
The only thing that looks good on me...is you

(Patsy starts to writhe up and down against a rather confused looking KC as Gel clamps her hands over her eyes.)

Patsy: Ya it's you - it could only be you
Nobody else will ever do
Ya baby it's you - that I stick to
Ya we stick like glue

(KC's confused look has changed into a happy looking wonky smile as Patsy gives him a quick kiss on the cheek)

Patsy: The only thing I want
The only thing I need
The only thing I choose
The only thing that looks good on me...is you

(Gel peaks through her closed eye and seeing Patsy and KC dancing causes her to shriek and run from the room, leaving behind KC and Patsy alone.)

Patsy: The only thing I want
The only thing I need
The only thing I choose
The only thing that looks good on me...is...

(Patsy moves to the bed and motions for KC to join her. )

Patsy: The only thing I want
The only thing I need
The only thing I choose
The only thing that looks good on me...is you.

(KC practically runs to the bed before realising that the door is wide open, he slams the door shut and jumps on the bed, pulling Patsy down with him)

Patsy: Oh you!
Yeah you!
The only thing that looks good on me...is you!

[The two kiss as they get more heated and the camera cuts to black.]

Scene 22

[The camera cuts in to show Amber and Bray sitting in the meeting room. Rain is asleep on one of the meeting chairs, her thumb in her mouth as Amber and Bray sit watching her.

Bray: Do you ever think life will get better?
Amber: How?
Bray: No more fighting, living in communities. Caring for each other.
Amber: It has to Bray. I believe that. For the sake of our children and us.

(Bray nods as he stands up and walks to the end of the room as the music starts to play)

Bray: There'll be one small light
All over the world tonight.
The search will go on for the one,
It was love with no name
And we glowed in the sun.
There was one small dream
Incredible highs and lows,
What little we knew living ordinary lives.
Made a dream for you, living ordinary lives.

(The camera cuts to Amber who looks at Bray sadly)

Amber: Ordinary people living ordinary lives.
Ordinary people living ordinary lives.

(Bray nods as he locks eyes with Amber.)

Bray: We were ordinary people living ordinary lives.
We were ordinary people living ordinary lives.
Amber: The clock on the wall keeps moving, time stands still
No matter how the dice may fall, someone else always gets to call the number

(Bray moves over to his daughter and brushes Rain's hair from her face.)

Bray: Say goodbye, cruel world.
No pity, no pain tonight.
Whatever the cost, all is lost.
And if it's love with no name, then it's all in the stars.
Whether it's wrong or right,
there's no one to blame, no lies.
What else could we do living ordinary lives.
Made a dream for you, living ordinary lives.

(Amber gets up to join Bray and wraps her arms around his waist as she rests her head against his shoulder.)

Amber: Ahh..
We were ordinary people living ordinary lives.
We were ordinary people living ordinary lives.

(Bray turns around to face Amber.)

Bray: We were ordinary people, what else could we do.
Living ordinary lives.
Made a dream for you, living ordinary lives.

(Bray smiles at Amber as the two of them kiss softly)

Bray and Amber: We were ordinary people living ordinary lives.
We were ordinary people living ordinary lives.
We were ordinary people living ordinary lives.
We were ordinary people living ordinary lives.

[Bray and Amber kiss again as the camera cuts to the next scene.]

Scene 23

[Dreamer is sat in her room, fixing her hair when Ebony walks in with a smile on her face]

Dreamer: And your so happy, why?
Ebony: I just had it out with Tally and my god it felt so good...it’s too much hard work being nice to people you cant stand!
Dreamer: (Confused) What are you talking about?
Ebony: Let’s put it this say, Tally asked if she should leave and I pretty much told her she should and that no one would miss her!

(Dreamer lets her hair brush fall to the floor)

Dreamer: Excuse me you did what? Who are you to tell people what they should or shouldn’t do!
Ebony: It’s only Tally
Dreamer: God Ebony you are so twisted…I can’t believe that before the accident we used to be best friends!
Ebony: (shouts) Don’t go all high and mighty on me, cause you was just as bad as me!

(Dreamer stands up and points to the door)

Dreamer: (Snaps) Get out!
Ebony: Whatever
Dreamer: (Shouts) Get out of my room and don’t come back Ebony I mean it!

(Ebony storms out and slams the door shut behind her. Camera cuts to Dreamer who has dropped back onto the bed)

Dreamer: I knew you wanted to tell me
In your voice there was something wrong
But if you would turn your face away from me
You cannot tell me you're so strong
Just let me ask of you one small thing
As we have shared so many tears
With fervor our dreams we planned a whole life long
Now are scattered on the wind...

(Dreamer crosses the room and stares out of the window to find Ebony standing on the street corner staring back at her)

Both girls: In the terms of endearment
In the terms of the life that you love
In the terms of the years that pass you by
In the terms of the reasons why

(Dreamer opens the window and sits on the edge)

Dreamer: Through the years I've grown to love you
Though your commitment to most would offend
But I stuck by you holding on with my foolish pride
Waiting for you to give in...
You never really tried or so it seems
I've had more than myself to blame
I've had enough of trying everything
And this time it is the end...

(Ebony shakes her head as she turns to leave)

Dreamer: There's no more coming back this way
The path is overgrown and strewn with thorns
They've torn the life-blood from your naked eyes
Cast aside to be forlorn...

Both girls: In the terms of endearment
In the terms of the life that you love
In the terms of the years that pass you by
In the terms of the reasons why

(Ebony turns back to the window to find that it is shut)

Ebony: Funny, how it seems that all I've tried to do
Seemed to make no difference to you at all...

[Camera pans out as Ebony walks away into the night. Camera cuts to the next scene]

Scene 24

[The camera cuts in and we see Alice standing in the middle of the bar, as the camera pans around we see that a small bag lies at her feet and music softly starts to play.]

(Photos of the Mallrats are scattered across the bar as Alice starts to sing quietly, whilst holding a picture of Ellie and her as small children.)

Alice: I watch you as you're sleeping
As I'm standing at the door
I don't want to let you go
But I can't hold on anymore

(Alice picks up a picture of Ryan and tears fall down her face softly).

Alice: I just can't find the strength
To say I'm leaving you
It's over now, it's over now
And there's nothing I can do

(Alice puts down the picture as she picks up her bag and looks around again.)

Alice: I couldn't say goodbye
Couldn't stand the pain
Couldn't watch you cry
Knowing that your heart would break

(The camera pans to a picture of Alice and Ellie at her sisters wedding.)

Alice: So I let you sleep
Till the morning light
When you wake up and you read the note I write
Telling you that I
I couldn't say goodbye

(Alice walks out of the bar into the street.)

Alice: I'm walking down this rainy street
Thinking you're awake by now
As you read my letter
And the tears fall from your eyes
Just know I tried to make it work
It just wasn't meant to be
I needed you, I needed you
But not the way you needed me

(Tears run down Alice's face as she walks down the street.)

Alice: I couldn't say goodbye
Couldn't stand the pain
Couldn't watch you cry
Knowing that your heart would break
So I let you sleep
Till the morning light
When you wake up and you read the note I write
Telling you that I
I couldn't say goodbye

(The camera cuts to Alice, as she stops at the airport entrance as she sighs deeply)

Alice: I didn't mean to hurt you
I didn't want to make you cry
It's over now, yes it's over now
I just couldn't say goodbye

(Alice turns her back on the airport and glances over her shoulder once last time.)

(Alice's tears run down her face and she walks away, down the street, the camera watches her as she fades into the horizon.)

[The camera watches Alice until she fades into the night and cuts to the next scene.]

Scene 25

[Camera fades in from black to show Amber, Bray, Lex and Trudy standing in the middle of a large park. Standing in front of them is the Amazon tribe, Elissa is standing in the front of the tribe. Amber casts a look to Bray who nods as Amber steps forward]

Amber: We dream the same dream
We want the same thing ...ooh...
We dream the same dream
We want the same thing ...ooh...

(The Amazon girls start to get restless as Amber continues to sing)

Amber: Here is my case
We've got no time to waste
Cuz we want the same thing

(Elissa cuts in and sings over Amber)

Elissa: We're fighting a war
But we don't know what for
Cuz we want the same thing

Both tribes: I know we're different now
Different as night and day
But still I want you
I just want you to stay

(Bray moves forward to get his say)

Bray: I wanna take this chance
I want to be with you
Cuz what you're looking for
I am looking for too

Both tribes: We dream the same dream
We want the same thing ...ooh...
And all that we need is to
See it together
We dream the same dream
We want the same thing ...ooh...
For now, for love, forever, amen

(The Amazon girls start to break away causing the Mallrats to exchange looks)

Elissa: (Shouts) let me introduce you to our fearless leader…
Amber: I thought you were leader!

(Elissa shakes her head as a smirk spreads over her lips. Elissa steps to the side, as Zandra comes in to view the four Mallrats can not believe what they are seeing)

Zandra: What’s the matter guys…you seen a ghost!
Lex: Zandra?

[Camera cuts between Zandra and Lex before the screen cuts to black]

[End credits cut in]

Credits - Songs in order they appear in the episode. 1.

Walk Away – Bricklin (Bill and Ted's Excellent Adventure) 2.
You and Me – Tom Petty and the Heartbreakers (Ladder 49) 3.
I got the girl – Bon Jovi 4.
All That She Wants – Ace of Base 5.
The Garden Of You And I – Ginger Mackenzie (Down to You) 6.
A View to a Kill – Duran Duran (A View To A Kill – James Bond) 7.
The weakness in me – Joan Armatradring 8.
Live and Let Die – Paul McCartney (Live and Let Die – James Bond) 9.
It's Too Late – Gloria Estefan 10.
One Way or Another – Blonde 11.
From the heart – Another Level 12.
Would I Lie to You? - Euryhthmics 13.
Dancing on the ceiling – Lionel Richie 14.
Slave to Love – Bryan Ferry 15.
Gratitude – Danny Elf man (Beverley Hills Cop) 16.
I'm Always Here – Jimi Jamison 17.
U Want Me 2 - Sarah McLachlan 18.
You're the Voice – John Farnham 19.
World on fire – Sarah Mclachlan 20.
I'll Put You Together Again – Hot Chocolate 21.
The Only Thing That Looks Good on Me Is You – Bryan Adams 22.
Ordinary Lives – Bee Gees 23.
The path of thorns – Sarah McLachlan 24.
I Couldn't Say Goodbye – Tom Jones 25.
We want the same thing – Belinda Carlisle.

Disclaimer: We do not own any of the lyrics to the above songs or claim any right to them, they are all owned by the individual artists.